no-fi wrote:@ brian: I'd never heard of the hound before! it sounds a bit like the specs of the ESQ-1. do you know what it sounds like compared to those?
I had the Cirko Hound for about 9 months, but it had some voice and midi problems and it was send back for quite a long time, so effectively I only had it for a few months. Perhaps I didn't give it the time it deserved, but I just didn't like how it sounded.
There where different versions available of the Hound, but the only difference was the number of voices, ranging from 2 to 16. I had an 8 voice version. I don't know how many of which version where build but it can't be many because mine had serial number 16 and was already one of the last ones that was build. I don't think they sold more then 20. I bought it (unheard) because it had an analog filter, and because I was charmed by it's size and versatility:
8 voices, 16 parts
4 outputs
4 DCO's
3 LFO's
S&H
A lot of modulation capabilities, also FM and PWM
3 ADSR envelopes
24 dB VCF (with something Cirko called 'fatness', I would have called it 'timbre')
Patch memory for 124 patches, which could be stored and assigned to their outputs in 24 multi's. It came with a patch librarian for Windows 98. There was no editor and not every parameter could be edited by midi.
I always feel bad when I sell a synth and right now I'm again thinking 'maybe I should have kept it, maybe I didn't dive into it deep enough'... It was a pretty nice synth because it was very versatile, but it really wasn't what I had hoped for. I don't know the ESQ1 but it sounded a lot like a Matrix 1000, which wasn't very impressive or usable to me at that time so I got rid of it. I believe Danny borrowed it for a few weeks but wasn't quite impressed by it either.
Because it is so obscure I kept some files that came with the Cirko Hound, including the pdf manual and the awful mp3 demos (rar).
Last edited by Brian Chinetti (2008-09-29 10:43:05)