Re: who's gonna win the loudness war
Holy shit- I'm glad I still have my copy from high school then!
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Robots for Robots → General Hardware / Software Discussion → who's gonna win the loudness war
Holy shit- I'm glad I still have my copy from high school then!
we still have a dubbed maxell cassette of it, and actually it's one of the best damn sounding cassettes we own in our collection. industrial and cassette is a winning combo imo.
so the message is ... "pomping" remastering jobs damage teh fossils.
And next to being loud, what's up with the equalization in some of the current pop music like that retarded kate perry? In those tracks the vocal sneeringly cuts through your eardrum and irritates your synapses until you're bound to get a headache from them. Seriously that music is so flat, the only thing you hear is someone shouting the whole time, I'd rather listen to a recording of screaming baboons.
well, if you master like that, its almost impossible for something to stand out in the mix because there is a dynamic range of a 10th of a db. it all becomes one compressed mess. the only thing you can do to get something nooticed is extreme eq, which makes a crappy track even worse..
oh yeah i've noticed this too. it sounds like they eq the voice to be that of a knife stabbing your ear drum.
http://www.soundonsound.com/news?NewsID=13752
The new hope is that CDs will be eventually replaced by files, and that media players will have algorithms to automatically equalize the perceived volume of each track it is playing, so in the end every song will have the same loudness, regardless of the production:
Robots for Robots → General Hardware / Software Discussion → who's gonna win the loudness war
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