Hey Scape One welcome here
if anyone is further interested in the subject, theres also quite a few books to recommend
(german Stichwort "Diffusionstheorie")
Else BIG thx to Gio for his great review here:
http://www.technodisco.it/2009/12/scape … bass4bots/
hope the translation is ok:
"Less frequently than in the days when the fertility was together with quality,
a component of his music, Kurt Baggaley returns to embody an alter ego Scape One
about three years after the last appearance (on Southern Outpost).
In the new Bass4Bots you find all the rhythmic energy that the english producer
has ever imprinted in his releases: "Diffusion of Innovations" drills your brain
with the syncopations tones pseudo industrial and stirred strange psychedelic swirls
typical for this particular musical style.
The scene varies a little in "Elements of Diffusion", where everything moves
calibrating rhythms and sounds of Dark imprint.
The black takes over on "Disruptive Adaptation," in which cyber fleeing
at the speed of light merges in the cadences of an Electro set to a loop
but not passively circulating.
The TR-808 is the undisputed protagonist of "Adaptive Adoption",
along with a low place in the geometric backbeat design with a series of
scraped industrial printings. And 'when the beat starts with the entry dell'hihat
Scape One of the world begins to take shape and the outline gets delineated.
"Source of Innovation" confirms this, raising the typical inventiveness of
the whole host of post-Drexciyan artists. Spatial rather muffled and a melodic
electroide vocal are the two vital points of a song that makes the idea of
the so-called Science Fiction Music perfect.
Setting aside the previous cruising speed (approximately 120 to 130 BPM),
the author leads us to another aural environment, this time from
the characteristics born of cohesion between melodies and
Quaternary glacial rhythms obtained by pops, late kick and blip .
"Variants Of The Form" closes an album that aims to explore the
different directions that Electro music can offer, never losing sight
of the concept of innovation, essential to a musical genre that has made it his credo."