It's a very rare synth, people were asking how it sounded as there's no other clips on the net, I made some sounds. It will be re-edited at a later date when I get the hang of Cubase. For some reason I could only record and edit in bars or some damn thing.
I'm really enjoying it. The keyboard and its scaling abilities, the envelopes, its patchability of course but I especially love the filter and the filter is one of the biggest differences between the 100 and the later 101.
Beefed up to 12db like the 101 because mine was modded (only 6db stock!), can't self resonate but you can make a lot of different sounds with it. For instance, the opening drone is two filter outputs at the same time. A high pass output through one channel (EML 100 and 101 have two amp outs) and the "mode" output set between low pass and band pass through the other output and mixed together in the box. Just did the opening drone as more of an example of what you can do on the 100 that you can't do on a 101 because the 101 only has the one "mode" output where the 100 has LP out, HP out and Mode out available.
Filter can be swept all the way from LP to and through BP, HP, BR (Band Reject, also not one the 101) and back to LP. And you can leave your knob wherever you want like mostly BP but a little bit HP or one of my faves is to leave it about halfway between band reject and lowpass. Very gritty, big sound. Showed the full sweep a couple of times.
All the oscillator shapes are sweepable too. Can get a very metallic Serge-ian tone at times. I like doing a lot of FM with it.
